Materiality, Authority, and Digital Religion
The Case of a Neo-Pagan Forum
The study of material culture increasingly pays attention to digital religion, but there are certain aspects, such as religious authority, that remain under-researched. Some questions are still open for inquiry: What can a material approach contribute to the understanding of religious authority in digital venues? How can authority be materially displayed on the Internet? This article shows how religious authority is affected by material practices connected with digital media use through the qualitative analysis of a Neo-Pagan forum, The Celtic Connection. Neo-Pagans tend to hold a non-traditional notion of authority, accord great importance to material practices, and extensively use the Internet. The analysis of the forum suggests that Neo-Pagans use digital venues to look for informal sources of authority and strategies to embed materiality in online narratives. The article claims that it is important to develop new frameworks to analyze non-traditional authority figures and new definitions of media that include both physical objects and communication technologies.
digital culture, digital religion, Neo-Paganism, Wicca, authority, materiality, media, Internet
Introduction
Religious practices are embedded in people’s everyday lives and manifest in a variety of tangible forms. It is for this reason that scholars increasingly pay attention to material culture in relation to religion. Material culture participates in what Birgit Meyer (2010) defines as “mediation,” where a “medium” is an object charged with religious meanings that helps believers to bridge the distance between immanence and transcendence. For instance, writes Meyer, a Catholic icon may be carved from wood by a person, but it is considered as the embodiment of a sacred presence by believers who touch or kiss it (2010, 13, see also 2020). Mediation is not limited to images but includes a large array of material objects, such as artworks, books, television, the Internet, as well as embodied practices, multisensorial experiences, and religious spaces (Morgan 2016).
A material approach to the study of religion compels the study of media technologies as part of material culture. Media, and especially the Internet, might be considered as “intangible” and disconnected from materiality. The notion of “virtual” is often employed, indeed, to describe exchanges that do not involve material objects and physical encounters between people. However, many scholars agree that the Internet does embed materiality in various ways and can activate practices that involve embodied and sensorial experiences (Houtman and Meyer 2012). For example, in studying Pentecostalism in Ghana, Meyer (2005) explores the use of mass media in church services, which participate in mediation by making believers materially approach the religious experience. In the late 1990s, Meyer writes, a number of Charismatic Churches produced recordings of sermons and even performances of miracles, something that confirmed and increased the authority of the pastor by providing people with a tangible testimony of spiritual power (2005, 440). Material aspects in religious mediation persist, and are enhanced, in the Internet age. Tim Hutchings and McKenzie (2016), for instance, argues that digital software also functions as material objects. Hutchings explores, among other examples, Bible apps that visually mimic printed books and paper Bibles with QR codes that connect to online resources. In both cases, materiality is taken into account and embedded into digital practices, and both “virtual” and “tangible” characteristics coexist.
Despite the importance of materiality within Internet practices, the existing literature on material culture and digital religion still needs to thoroughly address some questions. Hutchings and McKenzie (2016) notes that while scholars generally agree that the study of material culture should pay attention to digital media, they seldom provide precise definitions of material aspects embedded in Internet practices. This paper focuses on religious authority as one such aspect, which is often dependent on material objects (e.g. texts and religious spaces) but is usually not explored in relation to materiality in literature about digital venues. Some questions are, indeed, still open for inquiry: How can a material approach add complexity to the study of digital religion? What can this approach contribute to the understanding of religious authority in digital venues? How can authority be materially displayed on the Internet? A material culture perspective can help to understand some facets of “digital religion,” a term Heidi Campbell (2012a, 2012b) employs to describe a type of religion that is influenced by digital culture. This article presents the case study of a Neo-Pagan forum to illustrate how material culture participates in the negotiation of authority in digital venues.
The following sections explore religious authority in relation to media, with particular attention to the Internet. The article proceeds by describing Neo-Paganism, a new religious movement that often relies on non-institutional forms of authority and Internet-mediated communications. The analysis of “The Celtic Connection” (www.wicca.com), a Neo-Pagan forum, provides examples of how religious authority is negotiated and materially displayed online. In conclusion, the article presents reflections on how to develop new frameworks to analyze non-traditional authority figures and definitions of media that include both physical objects and communication technologies.
The Celtic Connection: Analysis of a Neo-Pagan Forum
The previous section described Neo-Pagans as holding a fluid notion of authority, and often including in their practices both material objects and digital venues. Because Neo-Paganism is highly heterogeneous, it is challenging to find a representative case study that can account for all Neo-Pagan traditions. The website The Celtic Connection (www.wicca.com) can give some insights into how Neo-Pagans discuss materiality and authority online because—as written on its homepage—it is “one of the oldest and largest Wicca, Witchcraft and Pagan sites on the Internet” (retrieved on 12 July 2018). It was established in 1997 and is divided into many sections, including a forum that numbered 2311 members in October 2018. It is based in the US but puts practitioners from all over the world in contact, provided that they speak English, the language of the website. Considering that Neo-Paganism is a small (especially compared with so-called world religions) and largely non-institutionalized religious movement, The Celtic Connection can be regarded as a large and long-lasting online community.
The Celtic Connection was founded by a woman who goes by the name of Kardia Zoe and her late husband Herne, as explained on www.wicca.com. The website includes several pages that discuss various aspects of Neo-Paganism, such as Meditation, Pagan Holidays, Divination, Candle Magic, and Animal Guides. It also provides a link to a Wicca online store that sells books, supplies for building altars, and other Neo-Pagan objects. The Celtic Connection has a blog, but it seems that most of the interactions occur in the forum. The forum users employ nicknames that are designed to protect their anonymity, and which I mention in my analysis. The forum is moderated by people who are referred to as “Council Elders” and is divided in seven sections: two of them are dedicated to newbies for introductions and questions, while the other five include discussions about Wicca and Neo-Paganism, comparative beliefs and practices, Earth-based paths (Druids, Shamanisms and other traditions), Deities, and Holidays. The Celtic Connection mainly aims at people practicing Wicca but, as the different forums’ sections exemplify, it also puts in contact people from other Neo-Pagan traditions.
While social networks and other Internet platforms partially replaced them in the last decade, forums can still provide compelling information about digital religion. The Celtic Connection forum, for example, has publicly collected discussions from 2010 and is still active. Posts usually contain long reflections or questions, can embed pictures and links, and sometimes attract hundreds of comments. They are written in an informal style reminiscent of face-to-face conversations. By analyzing forums, it is possible to plunge into discussions and follow their developments. With this in mind, I familiarized myself with The Celtic Connection forum by extensively reading its posts, focusing on those discussing authority and materiality. Because the users post anonymously and there are no references to their identities on the forum, I will mention their usernames in this article. Inspired by Critical Discourse Analysis (CDA), I performed a textual analysis (Wodak and Bush 2004) of these posts to explore the forum’s dominant narrative patterns. CDA is an approach that considers texts as illustrative of sociocultural practices and social discourses. In particular, it looks at the developments of discourses as pointing to hegemonic and non-hegemonic social elements (Fairclough 2013). In case of a minority religion such as Neo-Paganism, CDA illustrates the tensions between what is perceived as mainstream and non-mainstream religiosity. Future works may explore the online interactions of Neo-Pagans from a quantitative perspective, or perform a network analysis of their exchanges, but in this case, I was interested in conducting an in-depth study that could provide qualitative examples of Internet exchanges. The following two sections explore narratives about authority and materiality in The Celtic Connection forum.
Materiality in The Celtic Connection
The Celtic Connection is a venue where users directly or indirectly discuss various authority sources. They do so in digital spaces, but they often refer to embodied and material practices happening in physical spaces. For example, many users ask information about rituals, but the performance of the ritual remains an offline experience. Similarly, The Celtic Connection has an online shop where practitioners can find books and other material objects that are advertised online but are aimed at offline religious practices. Therefore, even if The Celtic Connection is a virtual venue, it has a strong material dimension.
The forum displays and negotiates materiality in various ways. While the Internet limits the possibility of sensorial experiences, there are some strategies that forum users employ to enhance existing characteristics of digital spaces. These strategies are often based on visual elements, which people can easily embed in posts. For instance, the user “Alyceavary” writes a post asking for Wicca-related creation stories for children (The Celtic Connection forum, 12 March 2012). The first response, written by a user named “Dark Magus,” appears as a long blank post. However, by highlighting it with the computer mouse, the post reveals a creation story written by Wicca author Silver RavenWolf. This simple strategy, achieved by writing the text in the same color of the background, gives the impression that the story magically appears, in what might be a metaphor of the world coming into being. In this case, the user not only acts as informal authority in providing a source for Alyceavary’s question but also employs a visual strategy to enhance the reading experience.
Some discussions about material objects involve pictures. This is the case in a post titled “Making my first wand,” written by a user who goes by the name of “Spiritwalker.” The user describes the experience of making a wand as follows:
So, I’ve begun making my first wand, its a work In progress. Im making it from the branch of a tree (which I believe is a nispero or mango tree, I played under it in my childhood) that my grandfather cut off due to it getting to close to powerlines. (…) Any suggestions? (Patterns, carvings,stones, etc.) (The Celtic Connection forum, 24 August 2013)
In Neo-Paganism, people use wands during rituals to cast spells and enter in communication with transcendent beings. In this post, the user focuses on the material aspects of the wand: the type of wood, the aesthetic patterns, and other visual details. In the post there is also a picture of a partially carved wooden branch with a small knife and some stones. In the corner of the picture there is a cat. The picture probably aims at better describing the wand to other users, according great attention to material details. Other users comment on the post by explaining some of the technical characteristics a wand should have. For example, the user “Oldghost” writes:
The length should be from the tip of you middle finger the to inside of you elbow. What you use for a stone or crystal or stone will depend on what you are doing . Different woods have different properties in magic as well as the stones or crystals you place in them . For your mango or nispero tree you will have to do some research , unless someone here has used them and can help you. (idem)
With this answer, Oldghost acts as an informal authority in providing information about wands and calls for the expertise of other users to assess the characteristics of wood types. The answer suggests that making a wand goes beyond purely aesthetic criteria because the properties embedded in its materiality have an impact on the religious experience.
Some posts include descriptions and pictures of religiously charged spaces. For example, the Council Elder Draconis Rex, in a post titled “Stonehenge,” asks: “What significance does Stonehenge hold for you in your path? (…) Would you consider a pilgrimage at some point? would you merely visit in passing?” (The Celtic Connection forum, 28 July 2013). The post attracts answers that describe visits to Stonehenge, including the feelings of touching the stones or the sounds heard in the site. Post author Draconis Rex also comments by giving additional information about Stonehenge:
There is evidence that shows that Stonehenge was actually in use 4000 years earlier than when the stones were constructed. It was revealed that posts were erected in a crescent, the post holes are in evidence and there is organic material revealed to be wood. The “Sarsen” stones range from 7 tons to 45 tons, and the “bluestones” that mark the perimeter weigh in between 2 and 4 tons each. (idem)
In providing this detailed and vivid description of Stonehenge, which includes practical and material details, Draconis Rex may be trying to arouse the curiosity of other users by showing expertise about the venue. In a subsequent comment, Draconis Rex posts pictures of Stonehenge, which probably aims at giving a more realistic impression of the site. Following Draconis Rex’s comment, other users shared images of the site. Some users never visited Stonehenge but contribute to the discussion by posting pictures found on Google. Visual elements combined with descriptions of offline materiality help to make the imagination of a religious place more realistic. From this perspective, the forum functions as a digital space of discussion where users can virtually experience physical and material spaces.
Therefore, The Celtic Connection forum is a venue where some Neo-Pagans look for informal authorities that can help their religious practice. Forum exchanges can embed materiality in various ways. For example, they discuss objects and spaces that are relevant not only on an aesthetic level but also for the religious experience, because their intrinsic characteristics can affect the way religion is perceived and practiced. In addition, they employ the possibilities of the Internet, such as picture sharing, to help the imagination of these objects and places. This confirms the importance of materiality in Neo-Paganism and connotes the Internet as a space of networked exchanges that points to and embeds offline materiality. It is for this reason that the analysis of digital spaces such as The Celtic Connection can add nuances to the study of online authority and materiality.
Discussion and Conclusion
The article discussed some material aspects of digital religion by way of the example of the Neo-Pagan forum The Celtic Connection. The analysis of the forum suggests that there are various strategies to negotiate formal and informal authority in material and networked ways. Through this case study, I would argue that a focus on material culture can be a starting point to think about religion, media, and authority in new ways, because it directs attention to practices that occur outside traditional institutions and between online and offline venues. Digital religion, indeed, is networked and relies on interpersonal exchanges, and creates instances of contact that tend to be fluid and rapidly evolving in time. Material culture and digital culture are not at odds with each other but can be entangled in creating narratives about authority that point to a variety of material objects. In other words, the material world remains a constant point of reference also for people who discuss their religious practices online. The case study of The Celtic Connection compels some concluding reflections about religious authority and media from a material perspective.
Digital media embed many articulations of religious authority. Attention to digital and material practices can help to understand different aspects of religious authority because it focuses on interpersonal exchanges and material displays. Authority exists in digital venues on different interconnected levels: textual sources described and embedded in web pages, experts that offer suggestions on forums and blogs, discussions about objects that exist in offline spaces. For example, in The Celtic Connection forum, the moderators—Council Elders—discuss Neo-Paganism by giving advice about books, material objects, and offline rituals. In addition, the Internet multiplies the occasions for intra- and inter-religious contact: in digital spaces, people can gain new understandings of authority by entering into conversation with groups from other parts of the world (e.g. describing a place such as Stonehenge and discussing its meaning for different Neo-Pagan groups) and getting to know different traditions (e.g. combining Christianity and Neo-Paganism). From this perspective, authority is not only networked, in the sense of Campbell (2012a), but also frequently mediated, or “hypermediated” (Evolvi 2018). This means that authority can exist in a variety of settings that are interconnected through digital technology and involve many actors and actions.
This suggests that authority in digital venues includes some peculiar characteristics. First, it is conditioned by the current proliferation of media technologies, which Nick Couldry defines as “media supersaturation” (2012). While religious institutions can decide to trust the Internet to different degrees, they cannot ignore that digital technologies have changed some interpersonal communication dynamics. As a result, authority becomes inevitably dependent on the logics of fast and interconnected media platforms, as happens in The Celtic Connection forum. Second, it exists both as human authority and as authority of the Internet. As exemplified by The Celtic Connection, users can write forum posts to gain advice from other believers, but also consider the Internet itself—almost as a personified entity—as a source of authority. Some Neo-Pagan users may decide for themselves, relying on their “inner authority,” which practices and beliefs to follows. At the same time, they may also read long forum threads as textual sources of information. Third, there are new authority figures that emerge and that need to be analyzed and theorized. For instance, The Celtic Connection’s Council Elders and other experienced users might not be considered authorities in the classical sense, but can be understood as informal charismatic authorities, to draw from Max Weber’s terminology. Their expertise comes from offline knowledge of Neo-Paganism, but also from the network of social interactions they create on the forum, their ability to navigate media logics and communicate effectively with other users, and the understanding of different traditions in a situation of religious contact. Therefore, it is necessary to go beyond traditional categories of authority and develop new frameworks that can account for non-traditional forms of authority in digital spaces.
Changes in religious authority also involve material practices that compel reflections on the role of media. Material practices, indeed, include both physical objects and communication technologies (as discussed by Entangled Religions’ working paper “Media”2). The Celtic Connection forum offers a venue to describe offline material practices, such as the construction of a wand or a visit to Stonehenge, as well as revelatory dreams where gods are connoted as material and embodied entities. These descriptions can help Neo-Pagans’ imagination, as suggested by Grieve (1995) and O’Leary (1996). This type of online experience is different from offline happenings, but it is not disjointed from reality or disconnected from materiality. On the contrary, it arguably points to a different way of experiencing religion that might be real and authentic for some practitioners. The popularity of The Celtic Connection forum suggests that users consider its discussions meaningful and connect them to offline material religious experiences in a tangible and authentic way. Therefore, it is important to analyze the connections between online and offline spaces and consider the Internet as a medium that potentially allows for material and authentic religious experiences, as we are reminded in the work, among others, of Campbell and Lövheim (2011).
Online spaces participate in mediation when they help believers to experience religion by offering venues to describe and negotiate material practices and beliefs. Henry Jenkins defines the circulation of media objects on different platforms as “remediation” (2008). Diffusion of narratives and pictures on The Celtic Connection, such as images of Stonehenge shared and commented upon by multiple users, may be considered a particular type of remediation, or “double mediation.” It is, indeed, a mediation that allows symbolic connections to material objects and spaces by enhancing another mediation already occurring in physical venues. For instance, the wand is a medium because people use it as a tool of mediation to experience transcendence during offline rituals, and it is further mediated (or double mediated) through discussions and displays on another medium, the Internet. This perspective compels, on the one hand, the elaboration of a broad definition of media, as articulated in the working paper “Media” on Entangled Religions, that includes all material objects invested with religious meaning. On the other hand, the computer and the Internet need to be considered not simply as communication tools, but material objects that can be embedded in various ways, and in some cases make possible, the religious practice.
Therefore, the Internet has an impact on religion by offering believers venues to get in contact with each other and tools for the religious experience. The diffusion of digital culture does not radically change religion and religious authority because these aspects continue to be connected to material experiences in physical settings, even if in different ways. The understanding of these facets of digital religion can benefit from methodological and theoretical efforts that accord attention to materiality. For example, it is important to recognize the existence of alternative types of authority and consider their role even when they act informally and in non-traditional venues, such as the Internet. Furthermore, the study of virtual spaces needs to take into account the connections with physical spaces (and vice versa) and the material practices connected with digital technologies. By so doing, it is possible to gain a more nuanced understanding of religious practices and authority in digital venues and to explore the importance of materiality for digital religion.
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This and all following quotes from The Celtic Connection are reprinted in their original form and have not been edited for spelling or grammar.↩︎
https://static.ceres.rub.de/media/filer_public/35/0d/350ded7c-8546-4114-9b39-7a6751f58358/er-khk-4_media_170728.pdf, retrieved June 3, 2020.↩︎